Monday, April 2, 2012

Countdown to MDF X: (51) Nashgul

Spain's Nashgul is one of those kinds of grindcore bands that draws you in with the first few chords, and then just as you think you might be getting into the song -- about 40 seconds or so later -- the song is over. Naghul generally offers fast melodic riffs, pounding rhythms and deep growling vocals in neat, tidy little packages. The longest mp3 loaded onto their Facebook music page is 2:27, and most are close to a 60 seconds or shorter.

If your Spanish is any good, you might be able to figure out what they are singing about. Apparently their lyrical themes are social and political. There are plenty of horror movie sound clips or political (sounding) speeches thrown in as well on their studio recordings and splits. The also have recorded tributes to Nasum (who are performing later Friday night) and to Repulsion.

Founded in the city of A Coruña in 2001, members include Santi on vocals, Hector on guitar, Luis on bass and Ivan on drums. Just before  Nashgul's show on Friday, May 25 at the Maryland Deathfest, Nashgul will stop by the Saint Vitus Bar on May 23 to do a show with Ghoul, Occultist and Pizzahifive. Afterward, will travel back up to New York to do a show on May 31, also at Saint Vitus, with Marrow, Skelptarsis and Cold Inside.

Since Nashgul's songs tend to be short, here is a video clip from their 10th anniversary show in 2011 with about 20 minutes worth of music. This glimpse into the world of Spanish metal just goes to show you that metal heads are the same every where you go! \m/


Countdown to MDF X: (52) Castevet

Friday, May 25 at the Maryland Deathfest begins with Castevet, a post-harcore, black metal outfit from New York City. Like several of their Big Apple black metal peers, Castevet relies on shrill vocals against a backdop of wall-of-distorted-guitars sound propelled by a crashing backbeat and nearly inaudible bass. Their two recordings, Mound of Ash (2010) and Stones/Salts (2009) both feature those black-and-white Instagrammy looking bleak landscapes on their covers.

Does it sound like I hate Castevet? No, not at all. But I had to set my personal prejudices aside to wade past the hipster trappings to listen to what I think is a far superior alternative to much of what is being foisted upon the late-comer black metal crowd. Aside from the vocals, Castevet reminds me of EVERYTHING I love about some of the most recent Enslaved recordings. Complex rhythms, atonal melodies, musical surprises -- Castevet has a lot to offer. I hope lots of people are there early enough on Friday to see them play.

Launched in 2006, Castevet includes founding members Ian Jacyszyn on drums, Andrew Hock on vocals and guitars and Nicholas McMaster, formerly of Krallice, on bass and who joined this year. You can hear studio recordings of Castevet on their BandCamp page.  I have listened to the offerings there many times since finding this band. (There is an indie-punk band with this same name so beware; Last.fm often plays the wrong band on the MDFX radio station.)

A band's live performance is important, so that is what you will find in the video below, recorded in 2010. "Grey Matter" is especially good for people who like Enslaved's later stuff.


Sunday, April 1, 2012

Countdown to MDF X: (53) Autopsy

Autopsy closes out Thursday of the 2012 Maryland Deathfest. This pioneering death metal band came together in 1987 when death metal was in it's infancy. The group's current line up includes original members Chris Reifert, formerly a drummer for Death, and guitarists Eric Culter and Danny Coralles, along with Joe Trevisano on bass, who joined in 2010.

This California group played for several years between the late 80s until the mid 90s, disbanded for a while and then reformed for the 2009 MDF. Musically, Autopsy is pretty much the template for death metal, characterized by forceful growling vocals, slightly thrashing drums, and heavily distorted guitars punctuated by "invisible orange" inducing solos. Some of their songs even dip into the doomy and sludgey, but pretty much this is the death metal your big brother warned you about.

Lyrically the topics run the gamut for disembowelment to death to corpse rape. You can take their lyrics however you like, seriously or mockingly or as a commentary on our depraved society. It is death metal after all so what do you expect. Musically, I dig this group a lot. It is definitely head-bang-worthy. You won't find me singing along. An exception might be the song below, "Always About To Die," from Autopsy's most recent full-length recording Macabre Eternal released in 2011. The lyrics are poignant because, shit, they are so true!

"In your sleep or on your knees
Killed in health or by disease
Doom bound train is on your track
Feel your mind about to crack
We are always about to die"